- US dollars

Exit 35, Chesbro Rd (1)
- 16 x 12 in
$857
This is the first painting in the Exit 35 series. Driving west on the 101 this spring, I saw the hills turn green after months of brown. It felt sudden, almost unreal. I stopped near exit 35 and took photos. Back in the studio, I worked with layers and quick marks to hold the rhythm of the road and the bright shock of color. The piece tries to catch that moment when the land wakes up, and even an old highway feels new.
- US dollars
$857
Untitled, Africa (2)
- 24 x 20 in
This acrylic painting on cradled birch hardboard captures the dramatic shift from day to night at Angama Amboseli. Inspired by watching the sunset through the glass-walled building, I imagined the day giving way to rich reds and purples of night, wrapping the scene in a wild beauty. Loose, layered brushstrokes create depth and movement, blending flat washes with impasto-style applications. The abstracted figure in the foreground merges with the environment, symbolizing humanity’s connection to nature. Lighter tones near the horizon suggest the last light lingering on the land as night falls. This piece speaks to the powerful stillness of Amboseli—a place where vast landscapes and vivid skies create an atmosphere that feels both grounded and infinite.
Untitled
- 36 x 30 in
This painting on cradled hardboard delves into the idea of grounding—both physically and emotionally. The use of organic forms and natural colors reflects the connection to the earth, while the abstract nature of the piece suggests the fluid and layered experience of existing in the physical world. The bold red lines represent moments of disruption or energy that punctuate our otherwise grounded existence, highlighting the dynamic balance between stability and change. The painting was developed through multiple layers of paint, building depth and complexity. The base layers consist of broad, gestural strokes to establish a sense of movement and grounding. Subsequent layers incorporate more precise marks and translucent glazes, creating a sense of light and shadow that mirrors the textures of the natural environment. The composition is intentionally fragmented and abstract, with no clear focal point. This approach reflects the complex and interconnected nature of being earthbound, where elements coexist in balance and tension without a singular hierarchy. Painting won 4th place in international Teravarna Abstract 2025 compettion.