Exit 35
What Passes Through
- 20 x 24 in
What Passes Through explores the shifting space between memory and landscape. Inspired by the hills and changing light along California’s Highway 101 corridor, the painting begins with a remembered place but moves toward something less fixed and more atmospheric. Layers of translucent color, gestural marks, and partially buried forms suggest movement, interruption, and the passage of time. Soft greens, pale blues, and muted lavenders drift across darker grounded passages, while flashes of warmer color and linear marks create moments of tension and release. The composition allows forms to surface and recede simultaneously, holding fragments of structure without fully resolving into a defined image. Part of the Holding Space series, the work reflects an ongoing interest in how experience is carried forward — not as a literal record of place, but as an accumulation of sensation, rhythm, and memory.
May, 2026
Acrylic painting
Between Marks
- 36 x 30 in
A structured field organized through linear elements that define and disrupt the surface. Between these marks, color and tone expand and compress, producing a shifting spatial condition that can be read in multiple ways. The image is held in tension between continuity and interruption. Acrylic and pen on cradled board.
March, 2026
Acrylic painting
Exit 35
- 24 x 20 in
The composition is organized through a layered field of greens, structured by linear elements that move across the surface. These lines suggest routes or divisions within the terrain, establishing an underlying framework without resolving into a fixed image. Variations in tone and density create a shifting spatial condition, where the surface holds in tension between continuity and interruption. Acrylic and pen on gallery wrapped canvas.
January, 2026
Acrylic painting